Bloomsbury Books Ashland

Bloomsbury Books Ashland

290 E. Main St
Ashland, OR 97520

Open 7-days:
M-Fri 8:30am-9pm
Sat 9am-9pm
Sun 10am-6pm

Home of the Oregon Shakespeare Festival
Specializing in contemporary fiction, children’s books, young adult, local authors, & a large Shakespeare & theater section

After shopping, enjoy your book at… Bloomsbury Coffee House
Organic eats, drinks, treats
Above Bloomsbury Books.
290 E. Main
(541) 482-6112
More about
the cafe…


David Quammen
A very enjoyable read of the history, personalities, and science leading to what Quammen calls the three big surprises revealed by the new method of molecular phylogenetics that compellingly invites a rethinking of “… who we are…and what we are, and how life on our planet has evolved.” Quammen understands how off-putting the term molecular phylogenics is, but his deserved reputation as one of our most reliable and readable guides through science for the curious, educated general reader is on full display here. A caveat: those looking for a linear story line or a deep dive into only the science may be disappointed by Quammen’s broad approach to the material. -JG

V. E. Schwab 

A super-powered collision of extraordinary minds and vengeful intentions–#1 New York Times bestselling author V. E. Schwab returns with the thrilling follow-up to Vicious. Magneto and Professor X. Superman and Lex Luthor. Victor Vale and Eli Ever. Sydney and Serena Clarke. Great partnerships, now soured on the vine. But Marcella Riggins needs no one. Flush from her brush with death, she’s finally gained the control she’s always sought–and will use her new-found power to bring the city of Merit to its knees. She’ll do whatever it takes, collecting her own sidekicks, and leveraging the two most infamous EOs, Victor Vale and Eli Ever, against each other. With Marcella’s rise, new enmities create opportunity–and the stage of Merit City will once again be set for a final, terrible reckoning.

Menno Schilthuizen

Menno Schilthuizen is one of a growing number of “urban ecologists” studying how our manmade environments are accelerating and changing the evolution of the animals and plants around us. In Darwin Comes to Town, he takes us around the world for an up-close look at just how stunningly flexible and swift-moving natural selection can be. With human populations growing, we’re having an increasing impact on global ecosystems, and nowhere do these impacts overlap as much as they do in cities. The urban environment is about as extreme as it gets, and the wild animals and plants that live side-by-side with us need to adapt to a whole suite of challenging conditions: they must manage in the city’s hotter climate (the “urban heat island”); they need to be able to live either in the semidesert of the tall, rocky, and cavernous structures we call buildings or in the pocket-like oases of city parks (which pose their own dangers, including smog and free-rangingdogs and cats); traffic causes continuous noise, a mist of fine dust particles, and barriers to movement for any animal that cannot fly or burrow; food sources are mainly human-derived. And yet, as Schilthuizen shows, the wildlife sharing thes spaces with us is not just surviving, but evolving ways of thriving. Darwin Comes to Town draws on eye-popping examples of adaptation to share a stunning vision of urban evolution in which humans and wildlife co-exist in a unique harmony. It reveals that evolution can happen far more rapidly than Darwin dreamed, while providing a glimmer of hope that our race toward over population might not take the rest of nature down with us.

Patrick DeWitt

Frances Price–tart widow, possessive mother, and Upper East Side force of nature–is in dire straits, beset by scandal and impending bankruptcy. Her adult son Malcolm is no help, mired in a permanent state of arrested development. And then there’s the Prices’ aging cat, Small Frank, who Frances believes houses the spirit of her late husband, an infamously immoral litigator and world-class cad whose gruesome tabloid death rendered Frances and Malcolm social outcasts. Putting penury and pariahdom behind them, the family decides to cut their losses and head for the exit. One ocean voyage later, the curious trio land in their beloved Paris.


John Larison 

In the spring of 1885, seventeen-year-old Jessilyn Harney finds herself orphaned and alone on her family’s homestead. Desperate to fend off starvation and predatory neighbors, she cuts off her hair, binds her chest, saddles her beloved mare, and sets off across the mountains to find her outlaw brother Noah and bring him home. A talented sharpshooter herself, Jess’s quest lands her in the employ of the territory’s violent, capricious Governor, whose militia is also hunting Noah–dead or alive.Wrestling with her brother’s outlaw identity, and haunted by questions about her own, Jess must outmaneuver those who underestimate her, ultimately rising to become a hero in her own right.Told in Jess’s wholly original and unforgettable voice, Whiskey When We’re Dry is a stunning achievement, an epic as expansive as America itself–and a reckoning with the myths that are entwined with our history.

Rick Bass 
This book is a marvelous tribute to writers old and new, to the importance of ceremony, to great food, lovingly prepared, and, ultimately, to the glory of life. Rick Bass travels widely to prepare gourmet meals for dozens of his writer heroes, bringing along young writers he believes in, so they can breath the same air as the greats. Dine with David Sedaris, Peter Matthiesson, Barry Lopez, Terry Tempest Williams, Denis Johnson, and more. I love everything about this book. -Brandon

Christina Dalcher 

On the day the government decrees that women are no longer allowed more than one hundred words per day, Dr. Jean McClellan is in denial. This can’t happen here. Not in America. Not to her … Soon women are not permitted to hold jobs. Girls are not taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words each day, but now women have only one hundred to make themselves heard … For herself, her daughter, and every woman silenced, Jean will reclaim her voice


Nico Walker
Jesus’ Son meets Reservoir Dogs in a breakneck-paced debut novel about love, war, bank robberies, and heroin. Cleveland, 2003. A young man is just a college freshman when he meets Emily. They share a passion for Edward Albee and ecstasy and fall hard and fast in love. But soon Emily has to move home to Elba, New York, and he flunks out of school and joins the army. Desperate to keep their relationship alive, they marry before he ships out to Iraq. But as an army medic, he is unprepared for the grisly reality that awaits him. His fellow soldiers smoke; they huff computer duster; they take painkillers; they watch porn. And many of them die. He and Emily try to make their long-distance marriage work, but when he returns from Iraq, his PTSD is profound, and the drugs on the street have changed. The opioid crisis is beginning to swallow up the Midwest. Soon he is hooked on heroin, and so is Emily. They attempt a normal life, but with their money drying up, he turns to the one thing he thinks he could be really good at–robbing banks. Hammered out on a typewriter, Cherry marks the arrival of a raw, bleakly hilarious, and surprisingly poignant voice straight from the dark heart of America.

Edward Struzik

In the spring of 2016, the world watched as wildfire ravaged the Canadian town of Fort McMurray. Firefighters named the fire “the Beast” because it behaved in seemingly sinister and often unpredictable ways. Many of them hoped that they would never see anything like it again. Yet it’s not a stretch to suggest that megafires like the Beast have become the new normal. A glance at international headlines shows a remarkable increase in higher temperatures, stronger winds, and drier lands- a trifecta for igniting wildfires like we have rarely seen before. Fires are burning bigger, hotter, faster, and more often. In Firestorm, journalist Edward Struzik confronts this new reality, offering a deftly woven tale of science, economics, politics, and human determination. To understand how we might yet flourish in the coming age of megafires, Struzik visits scorched earth from Alaska to Maine, and introduces the scientists, firefighters, and resource managers making the case for a radically different approach to managing wildfire in the twenty-first century. We must begin by acknowledging that fire is unavoidable, and be much more prepared to cope when we cannot completely control the flames.Living with fire also means, Struzik reveals, that we must better understand how the surprising, far-reaching impacts of these massive fires will linger long after the smoke eventually clears.

Julie Schumacher

The slings and arrows of outrageous fortune keep hitting beleaguered English professor Jason Fitger right between the eyes in this hilarious and eagerly awaited sequel to the cult classic of anhedonic academe, the Thurber Prize-winning Dear Committee Members. Once more into the breach… Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she’s not sharing. The lavishly funded Econ Department keeps siphoning off English’s meager resources and has taken aim at its remaining office space. And Fitger’s attempt to get a mossbacked and antediluvian Shakespeare scholar to retire backfires spectacularly when the press concludes that the Bard is being kicked to the curricular curb. Lord, what fools these mortals be! Julie Schumacher proves the point and makes the most of it in this delicious romp of satire

Delia Owens

Fans of Barbara Kingsolver will love this stunning debut novel from a New York Times bestselling nature writer, about an unforgettable young woman determined to make her way in the wilds of North Carolina, and the two men that will break her isolation open. For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. She’s barefoot and wild; unfit for polite society. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark. But Kya is not what they say. Abandoned at age ten, she has survived on her own in the marsh that she calls home. A born naturalist with just one day of school, she takes life lessons from the land, learning from the false signals of fireflies the real way of this world. But while she could have lived in solitude forever, the time comes when she yearns to be touched and loved. Drawn to two young men from town, who are each intrigued by her wild beauty, Kya opens herself to a new and startling world–until the unthinkable happens. In Where the Crawdads Sing, Owens juxtaposes an exquisite ode to the natural world against a heartbreaking coming of age story and a surprising murder investigation. Thought-provoking, wise, and deeply moving, Owens’s debut novel reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.



Naomi Novik

Naomi Novik has quite possibly surpassed herself in Spinning Silver. Once again the lines between good and evil blur and ordinary people become heroes and heroines. A moneylender’s daughter, a poor farmer’s daughter, and the daughter of a duke are unexpectedly bound by a magical being’s demand for gold. Strong women populate this clever reimagining of Rumpelstiltskin, and the magic is both beautifully and simply rendered. There is also an interesting thread of Jewish history running through the narrative. Readers will love falling under the spell of Novik’s Polish fairytale. I’m so excited to recommend this book! -Becky


Ottessa Moshfegh

What would you give for a good night’s sleep? This book can be read allegorically, as the pre-9-11 sleepwalking New Yorker and/or American; a literal reading is also possible, as it is rare to encounter a narrative making something as necessary and mundane as sleep so compelling. Orphaned and grieving both the deaths of her parents and the deaths of the parents she wished she had, Moshfegh’s heroine decides sleeping for a year will make her a better version of herself. She finds a questionable therapist and begins a Carrollesque descent into the world of prescription sleep aids. There is an element of poor pretty rich white girl here, she wants to eat her privilege and have it too, but her desire for sleep is palpable enough to transcend class even as her wealth enables her quest. Moshfegh is a keen observer of New York and an astute chronicler of its denizens—a veritable van diagram of some of the most and least privileged people in our country, if not the world. Provocative, sharp, and surprisingly moving. -Becky

James Anderson
“What becomes of the broken-hearted?” Sometimes, they become inhabitants of Lullaby Road, a stretch of highway 117 in the Utah desert, along which Ben Jones, a truck driver with his own damaged heart, makes deliveries. Ben has found a small hispanic child, abandoned in the snow at a gas station with a note that reads, “Please, Ben, help my son. Big Trouble.” Ben takes the child with him in the truck–and there is big trouble. Lullaby Road is a well-plotted, satisfying mystery; but it is Anderson’s broken-yet-resilient characters, who have chosen–or were forced–to live in the lonely desert, who make it memorable. Ben Jones is a great modern protagonist–funny, compassionate, flawed and so human. The solitude and sere beauty of the landscape are always present and the descriptions of the flat vistas and endless horizons are haunting on James Anderson’s fine prose. –Sheila


Rebecca Makkai

This is a book to spend the day doing nothing except reading.  In 1985, as the AIDS crisis is growing,  Yale Tishman is  the young director of an art  gallery whose career is flourishing but, one by one, his friends are dying …and he may have the virus himself.  Finally, the only friend he has left is Fiona, the little sister of a dead friend.   Thirty years later, Fiona is in Paris, searching for her estranged daughter, and grappling with the way the AIDS crisis affected her and her relationship with her daughter.  The novel captures the heartbreak of the AIDS epidemic so poignantly, reminding us of how many young, often talented and brilliant, people were lost to it and how it affected those who loved them.  The characters are so fully realized- they will remain in my heart forever.    -Sheila


Madeline Miller

Madeline Miller, author of Song of Achilles, adds depth and beauty to a recognizable but narrowly defined character of myth: Circe, immortal daughter of Helios, witch of Aeaea, lover to gods and mortals alike. When we think of Circe we likely think of a vindictive witch who turns men into pigs and slaughters them until brave Odysseus, warned by Hermes, outwits her. But what about the story of an eldest and least favored daughter, one rejected by love and tortured by her own regrets, a victim of banishment and abuse and assault who remains different from the callous nature of her fellow gods? What of the before and the after of Odysseus? Gorgeously rendered and populated with some of the greatest monsters, heroes, demigods and goddesses of Greek myth, Circe proves once again that Miller is the Gregory Maguire of mythology. -Becky


Richard Powers
They were here long before us. They will be here long after us. Trees. Nine strangers are connected by the arboreal, and by a desire to preserve a story larger than their own. Environmental activists live in old growth redwoods. An orphaned artist inherits the photographic family legacy of one chestnut tree. A partying and promiscuous college girl dies and returns to life, called to an aborescent destiny. The stories in this novel are both concentric, like the rings inside each trunk marking a tree’s age, and interlocking, like the complex root systems which send nutrients and water upwards and messages outwards. No living writer equals Powers for creating a novel that is both literary and commercial. Stunning, prescient, and one of the best books I’ve read this year.

Christine Mangan

This is a deeply atmospheric and disturbing debut. Reading Tangerine is like drinking a gin martini that is icy enough to hurt your teeth and strong enough to burn all the way down. Morocco, 1956. The air is tight with both heat and the start of revolution. Two former college roommates are entangled in a psychological dance reminiscent of Patricia Highsmith, Shirley Jackson, and Daphne du Maurier. This is a perfect spring break read!

Christina Lynch

Chris Pavone’s The Expats meets Amor Towles’ A Gentleman in Moscow in this delightful novel. Scottie and Michael Messina are newlyweds when they arrive in Italy in April of 1956, where Michael is supposed to head up a new division of Ford. There is so much unknown between any typical pair of newlyweds, but Michael and Scottie harbor deeper secrets from each other, among them Michael’s true occupation as a spy for the American government. Mynch evokes the period of the 1950s—Betty Crocker, Wonder Bread, and an entrenched distrust of Communism—in a story that froths with gossip and is sweetened by intrigue, stirred with the complex history of Italian and American relations. Delicious and positively drinkable.
-Becky (as seen in the April Indie Next List)


Tayari Jones

Celestial and Roy are still newlyweds when Roy is wrongfully accused of raping a white woman and is sentenced to twelve years in prison. The two write letters to bridge the chasm between their sundered lives, but as the years pass their marriage is made up of more time spent apart than together. The writing is bright and sharp and unexpected, like a weapon fashioned from folded layers of sheet metal, and cuts to the quick of both what it means to be married and what it means to be a black man in America, while also exposing the systemic flaws in our justice system. I don’t agree with the decisions of Celestial, Roy, and their best friend Andre, but I am deeply moved by their plights. This is a haunting and important novel.

Amy Goldstein

General Motors (GM) had a long history of success in Janesville, Wisconsin, reaching back to the end of WWI with tractor manufacturing, surviving the Great Depression, and the autoworker strike of the 1930s. But in 2008, GM announced they were closing the Janesville plant. Amy Goldstein, a staff writer with the Washington Post, tells the story of the next five years as a traditionally democratic union town tries to rebuild, and ends up deeply split along party lines. Families are irrevocable changed as fathers work hundreds of miles away and teenagers take on part-time jobs. There are clashes between republicans and progressives who both want job growth, but disagree about how to make that happen. Goldstein explores the flawed concept of reeducation, retraining does not guarantee jobs, and the shortsightedness of Janesville’s blind belief that the GM plant would always be there. There is a systemic cultural problem, not just in Janesville but across America—conspicuous consumption as symbols of success. This is a devastating and unflinching look at our vanishing working and middle class. In the vein of Evicted, and Hillbilly Elegy, this is an impressive and important piece of reporting.


Maggie O’Farrell

Life is a series of near death experiences punctuated by moments of brief, beautiful, reprieve. In these seventeen essays, each centered on a brush with death, O’Farrell explores how life and death work in tandem to create meaning for the living. This is not a book about dying, nor is it macabre. Instead, this is a story about embracing the wonder and ugliness, the dichotomy, inherent in conscious existence. This memoir, penned for O’Farrell’s daughter who lives with a serious immunology disorder which means every day, for her, is a sequence of small and large encounters with mortality, defies both life and death in its depth and breadth and moments of pure perfection, and is absolutely stunning. I am. She is. We are, together, alive.

Caroline Fraser

As a lifelong devotee of Laura Ingalls Wilder, I was thrilled by the publication of her annotated memoir, Pioneer Girl; so much was fictionalized, made softer, or omitted in her novels. Fraser’s fascinating and comprehensive biography goes far deeper than Pioneer Girl. Fraser draws on Wilder’s memoir, historical records, letters, and a myriad of never-before-complied sources to provide a vivid portrait of America leading up to and during the Gilded Age, through womens suffrage, two World Wars, the Great Depression, the New Deal and the start of the Cold War. There are personal facts, such as a deeper examination of Wilder’s childhood poverty, which she carefully hid in her novels by detailing the small joys and comforts her parents were able to provide, and a more tarnished portrait of Wilder’s father. There is the birth and death of Wilder’s son, the heavy debts that Almanzo Wilder incurred, and his stroke, brought on by diphtheria, which hurt his use of his legs for the rest of his life. Surprisingly, Wilder was wary of feminism, and had negative feelings towards Roosevelt’s federal programs following the Depression. Also surprising is the selfishness of Wilder’s daughter, Rose Wilder Lane, who was equally bullish and childish in her treatment of her mother, and had fascist leanings. Far from dry, and never boring, this is an incredible book, both a history of America and a more complete look at one of our country’s most famous pioneer women.

Leni Zumas

The wife. The daughter. The biographer. The mender. These are archetypes, but are also four very different women who chafe against the legislation of their bodies, and feel the ticking of their red clocks. In this stunning, disturbingly prescient debut, abortion is illegal in all fifty states, and in vitro fertilization is federally banned under the Personhood Amendment. Laws further restricting adoption will soon take effect, prohibiting unmarried persons from adopting. The world Zumas creates feels eerily familiar. Just like her characters, many of us woke up to a President-elect we didn’t vote for. We felt a sense of misplaced incredulity: “Many horrors are legitimated in broad daylight, against the will of most of the people.” Zumas’ book reads like a Handmaid’s Tale for a new generation. Both Atwood and Zumas are pointing to a large hole in the ground, warning us not to fall in. Zumas ties togeher the stories of four women in surprising ways in writing that is sharp, daring, and wise.

Patricia Lockwood

I wasn’t sure what to expect from this memoir, and I’m still not sure how to classify it, except to say how compelling, beautifully written, and unexpectedly funny it is. Circumstances force Lockwood, a 30-something poet, and her husband to move in with Lockwood’s parents, who are both larger-than-life characters. Lockwood’s father is a Catholic priest who spends as much time in his underwear as possible, plays loud riffs on his various guitars, and has an abiding love for trilogies (he vehemently believes the original Star Wars trilogy is about priests in space). Her mother, who tries to stuff plates of toast under the door to her daughter’s bedroom, and pops B vitamins by the handful, may not have a direct line to God, but she does have a flair for drama. Lockwood’s book is a moving tribute to her eccentric family life, a deep examination of belonging and religion, and an analysis of how a good Catholic girl has become a poet who deftly weaves magic of the profane, and who re appropriates the language of the church into a vocabulary that makes sense to her. This profound memoir brings to mind Jeanette Walls, Jenny Lawson and Jeanette Winterson.

Chloe Benjamin

What if a fortuneteller told you the day of your death when you were just a child? Would belief or disbelief rule your life? The four Gold children each react to their prophesied deaths differently. Simon charges ahead to the San Fransisco of the 1980s, carrying the knowledge of his death in his back pocket but never consulting it. Klara becomes a magician in Las Vegas, treating her own demise as part of a greater magic act, but her greatest trick won’t be her death after all. Daniel spends his career as an army doctor fighting the mortality of others. Varya is perhaps the most stubborn nonbeliever of them all, yet her work with longevity research belies her lack of faith in the old woman’s predictions decades before. Each section in this beautiful, heartbreaking, book is narrated by a different Gold child, and begs deep questions about life, death, immortality, and inevitability. Would knowing the day of your death help you prevent or change it, or is there no intervention big enough to fight the end that comes for us all?


Robin Wall Kimmerer

Braiding Sweetgrass, first published in 2014, has quietly climbed to the top of our store bestseller list. What has prompted this phenomenon? Word of mouth. Moved by Kimmerer’s powerful prose and enduring message, readers have pressed copies into the hands of their friends and loved-ones, and have submitted the title to their book clubs, eager to share this antidote to what feels like an increasingly reckless and dangerous political climate. Kimmerer applies her background as botanist, a professor of plant ecology, and a Potawatomi woman to argue that our path forward requires remembering and honoring ancient wisdom. She explores nature through the lens of science, and encourages readers to increase their ecological consciousness by connecting more deeply with other living beings. Elizabeth Gilbert calls the book “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise.” Being informed is important, but sometimes we need to turn off the news and pick up a book. Braiding Sweetgrass is that book.

Louise Erdrich

“Perhaps all of creation…was just a grandly detailed thought that God was engrossed in elaborating upon, when suddenly God fell asleep. We are an idea, then. Maybe God has decided that we are an idea not worth thinking anymore.”

This book is terrifying in the way that The Handmaid’s Tale is terrifying—the horror comes from the plausibility of the plot (there is so much still unknown in science), and is connected to the writer’s deep understanding of how humans react in times of uncertainty, how governments enact legislation, and how quickly democracy can erode. No one knows why evolution has stalled. Animals are reverting, plants are changing. The future of humanity is tenuous as newborns also exhibit symptoms of reversed evolution. Cedar Songmaker’s pregnancy is one of equal parts terror and wonder. Her pregnancy cannot be celebrated and honored because she must go into hiding. Pregnant woman across the country are rounded up and housed in hospitals and jails. Their fates are unknown, as are the fates of their infants. Cedar begins a journal chronicling the deterioration of her known world in the form of a love-letter to her unborn child. Suspenseful and beautiful, this is a deeply affecting book told in Erdrich’s incomparable style, with an ending that will leave readers breathless.


Kenneth Whyte
From his classically American humble, rural, Quaker origins, Herbert Hoover became the classically American self-made man. By his thirties, he had become bored with making millions from his international mining operations and turned his drive towards becoming a player in “the big game”. With the near-death of Europe following WWI, Hoover, the globalist, rationalist, results-oriented technocrat, was the perfect man to help America re-imagine itself and push to the forefront of the 20th-century. Running on the Progressive platform of the Republican party (think Teddy Roosevelt), he became the thirty-first U.S. president. Seven months after his inauguration, Wall Street experienced the Great Crash of 1929, and the follow-on global Depression made him a one-term president. Feeling that FDR alternately lied about or appropriated many of his own programs and attempts to manage the Depression, Hoover was an implacable New Deal foe. Hoover juggled a fervent belief in boot-strapping, American individualism and local solutions with a robust, activist government agenda of action in the national economy, and a deeply-felt but tightly conceived support for a national social safety net. As one observer put it, “Hoover was as radical as he needed to be.”-JG

Fiona Mozley
We know there was a fire. Ash still clings to the air at the novel’s onset as Daniel, the teenage narrator, follows the railroad tracks leading away from his family’s land. He is searching for someone, but who, and why? Daniel lives with his older sister, Cathy, and his father, a boxer who is rough around the edges but is gentle at home, in the isolated outskirts of a small town in Yorkshire. They live close to the land, in a house hewn from the surrounding forest and raised by pure manpower. When their autonomy is threatened, a series of events escalating in violence lead to horrific consequences. Set against a devastatingly gorgeous backdrop, this is a study of power: who wields it, who abuses it, and how one man leads an uprising against it. This examination of the male archetype is reminiscent of My Absolute Darling, but has a softer touch. Amazing. –Becky


Naomi Alderman
What if women had a new set of muscles which allowed them to conduct electricity and to control electric impulses? How might the current power structures be toppled? Alderman bravely explores a world of shifting allegiances. Roxy, the daughter of an English mob boss, discovers her gift the day her mother is murdered—and her gift is formidable. Margot, a newly single mother of two daughters, is a mayor with her eyes on a governorship who seeks to harness public panic and to remake the government from the inside. Allie, an orphan on the run from her dark past, is reborn as Mother Eve, a prophetess who claims to have a direct line to the divine. Tunde is a young Nigerian journalist who scents the coming revolution and positions himself to be the major chronicler of the world-wide uprising. Their connected stories begin as a feminist fairytale, but quickly evolve into a study of power; regardless of sex, power is consuming, corrupting, and easily abused. Retribution and revenge can disguise themselves as redistribution and equality. Alderman’s prose is searing, her plot dizzying, and her characters will burn your heart.

Phillip Pullman
Before Will there was Malcolm. Before Lyra underwent the arduous journey to fulfill her destiny, the witches prophesied of another boy, one who would protect a great treasure. Malcolm, an innkeeper’s son, faces a great flood and other forces of evil to deliver an infant Lyra to safety. In this return to the England of Pullman’s His Dark Materials trilogy, a network of spies battle branches of secret service and an oppressive government. Pullman creates new characters for readers to care deeply about in the intrepid Malcolm and Hannah Ref, a historian-turned-spy whose work with the alethiometer will have far-reaching implications.

Carmen Maria Machado
The opening story in this startling debut collection is based on the classic ghost story about a bride with a ribbon around her neck, but Machado reaches for truths beyond a simple campfire tale. Each successive story takes readers deeper into the intimate lives of females: a woman undergoes bariatric surgery, but the ghost of her shame continues to live in her home even after the weight falls away; a virus spreads across the country, killing humans indiscriminately, as a survivor indexes a list of her former lovers; women are vanishing, and the shadows left behind fold themselves into the stitching in prom dresses. Machado’s writing is reminiscent of Clarice Lispector, achieving surrealism based in both the fantastic and the domestic. She uses ghost stories, urban legends, and myths to explore the interior lives of women as a map of their exterior world. This collection is stunning in its clarity, strength of voice, and sense of purpose. Disturbing, beautiful, haunting, and true.

Janet Fitch
Marina is the petted daughter of a powerful lawyer when the forces of revolution march across Russia in the winter of 1916. Her journey from girl of privilege to daughter and poetess of the revolution is harrowing, sexy, and disturbing. Her selfishness and naiveté are infuriating, and supremely real. Fitch long ago proved herself adept at writing girls on the cusp of womanhood coming undone, and in this newest novel also proves herself a chronicler of history, as she details the century-old political battles which shaped modern Russia. Her writing is, as always, gorgeous, lucid and powerful. Some might wonder whether Marina’s personal life needs to be so dramatic when cast against the natural drama of revolution, until we realize that the men and women who participate in history are humans who are fallible, prone to self-aggrandizement, and are searching for meaning. The plot might feel far-fetched towards the end, until we recognize the roles of mysticism and spirituality in Russia at that time. I can hardly wait for book two!


IN A DARK, DARK WOOD  Leonora is a reclusive crime writer, unwilling to leave her “nest” of an apartment unless it is absolutely necessary. When a friend she hasn’t seen or spoken to in years unexpectedly invites Nora to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?,” Nora tries to piece together the events of the past weekend. Working to uncover secrets, reveal motives, and find answers, Nora must revisit parts of herself that she would much rather leave buried where they belong: in the past

WICKED: THE LIFE AND TIMES OF THE WICKED WITCH OF THE WEST  Wicked introduces Elphaba, a smart, prickly, and misunderstood creature who will grow up to become the infamous Wicked Witch of the West in Oz. Now, her side of the story is told.

SOMETHING WICKED THIS WAY COMES Two boys’ lives are changed forever when a sinister travelling carnival stops at their Illinois town.

A SECRET HISTORY OF WITCHES From early 19th century Brittany to London during the Second World War, five generations of witches fight the battles of their time, deciding how far they are willing to go to protect their family, their heritage, and ultimately, all of our futures. After Grand-maere Ursule gives her life to save her tribe, her magic seems to dies with her. Even so, her family keeps the Old Faith, practicing the spells and rites that have been handed from mother to daughter for generations. Until one day, Ursule’s young granddaughter steps into the circle, and magic flows anew.

CLASSIC CAMPFIRE STORIES: FORTY SPOOKY TALES 40 classic spooky tales. Need a good scary story to tell to anyone, young or old, who wants a little fright before going off to sleep in the great outdoors? Nothing goes better with gooey s’mores and a glowing campfire than a good ghost story.